Introduction to Music Theory by Catherine Schmidt-Jones & Russell Jones & Catherine Schmidt-Jones

Author:Catherine Schmidt-Jones & Russell Jones & Catherine Schmidt-Jones [Schmidt-Jones, Catherine]
Language: eng
Format: epub

Figure 3.2.

First and Second Inversions

Any other chord that has the same-named notes as a root position chord is considered to be essentially the same chord in a different position. In other words, all chords that have only D naturals, F sharps, and A naturals, are considered D major chords.

Note

But if you change the pitch or spelling of any note in the triad, you have changed the chord (see Naming Triads). For example, if the F sharps are written as G flats, or if the A's are sharp instead of natural, you have a different chord, not an inversion of the same chord. If you add notes, you have also changed the name of the chord (see Beyond Triads). You cannot call one chord the inversion of another if either one of them has a note that does not share a name (for example "F sharp" or "B natural") with a note in the other chord.

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